Books I wish would be published

I’ve been asked to be on a panel at the AFCC to chat about “Books Teachers Wish Authors Would Write” from a teacher / librarian perspective. So I put the question out on one of my teacher-librarian networks (an international one) and these were the responses I received:
  • World war 2 in Asia- novel for 8-10 year olds (NF / NNF)
  • big shortage of narrative nonfiction that is NOT about the holocaust, slavery, the American great depression or US civil rights. Also shortage of intra-Asia migration stories not Asia to Europe / north America (NF / NNF)
  • Third culture kids as main characters (CD)
  • More stories about our present/ early future stories that include digital tools and behaviour (D)
  • I’m looking for things like “lego ideas / lego play” but in small manageable books that kids can take out without breaking their backs / the book
  • nonfiction – updated human rights / millennial goals / NGOs / Poverty etc. for G4 level (9 year old) mixed format, good graphic design, mix of narrative and fact (NF)
  • Middle school nonfiction – life in different economic / political systems – communist, socialist, social democracy etc. with a world wide unbiased view of positives and negatives with personal stories and data (NNF)
  • Books on gaming or from the creators of games like Minecraft, Roblox, etc. (D)
  • Conflicts over resources around the world – case studies that are elementary friendly (NF)
  • The next “The Outsiders.” Something to appeal to the teens who fall in love with it in class, and are looking for something like it.
  • Decent Biographies that are at elementary aged level & middle school level without being dumbed down – with more Asian protagonists! (CD / NF)
  • Books purposely written for upper ES that has appropriate content and reading “level” (ELL)
  • More ES novels featuring multicultural characters that are not related to war or historical events (CD)
  • Books about world topics that are appropriate for kinder/g2 (NF)
  • Modern urban indigenous stories – universal experiences in all first nations people. (CD)
  • Easy read stories that are well written & not dumbed down for teens. – yes! especially for our ELL students! And that don’t portray just the…..dark side of life? I feel like when I was purchasing for xxx, the high interest/low level books all were about gang members/drug dealers in the US. (ELL)
  • Science fiction for Elementary kids. (SF)
  • Middle Grade fiction with a Korean protagonist (My Name Was Keoko style) (CD)
  • Books with culturally diverse characters. I still remember teaching a boy could Yousef who threw the book down in disgust and said ‘Why can’t they give them normal names?’……the character was called Joseph. Which really isn’t that out there, unless you’re an Arab boy. Then it’s just weird. (CD)
  • LGBT books for tweens (G)
  • Definitely more emigration/immigration stories that are intra-Asia. There are so many diaspora stories to be told that have nothing to do with Europe or North America. (NF / NNF)
  • Does anyone want war stories set in Asia – like Japanese invasion/ Korean War / American or Vietnam war with perspective from the non-western side – or is that too sensitive? (NF / NNF)
  • My teachers want more World War 1 fiction for grades 6-8 and social justice books for middle schoolers.(NF / NFF)
  • My middle school girls want more heroes that are NOT princesses. (G)
  • My boys want fiction that has video game elements like Minecraft stories.(D)
  • All of my high schoolers want “classics” with better covers.
  • what about this: teachers, school, parents do not compare my score with others, do not give me homework, I want to play. (C)

I’ve tried to code the answers as follows:

  • NF / NNF: narrative nonfiction – 10x
  • CD: cultural diversity – 6x
  • D: digital / gaming element – 3x
  • G: Gender related – 2x
  • ELL: hi lo / books for English Language Learners – 2x
  • SF: Science fiction – 1x
  • C: cultural issue – 1x

Looking at these I think that the theme is a general frustration with a lack of books with an Asian context.  Particularly historical fiction / narrative nonfiction and culturally diverse characters. We all know that the USA dominates publishing, followed by the UK. Australia has some good stuff out but limits itself by its steep pricing, expensive shipping costs and insular publishing industry. China is a late entrant into children’s books and is making great inroads – but mainly in translation into Chinese. What is particularly commendable is that they are not just translating the (North) American staples but many of the brilliant and wonderful European offerings.

Then I did a similar exercise with the BWB (Blokes with Books) yesterday. I asked them to go in groups of 2-4 students and tell me what kind of book they were missing in their lives. Books they wish authors would write.   They were amazing – a couple of groups even started writing the books they wish were written (a nice outcome given the fact that teachers are now complaining that we’ve got them reading but their writing is still poor).

Their suggestions could also be broadly grouped:

  • Two groups wanted Harry Potter extensions or back stories – one wanted the parallel books that focused on the other houses, not just Gryffindor Tower. Another group was fascinated by the horcruxes and wanted a book on that.
  • One group wanted an elaborate Pokemon book that inverted some of the characters with unexpected twists.
  • One group combined the ideas of the three group members into a fantasy / reality mixture involving video games and rugby with a wimpy gaming protagonist being forced to play rugby by an over-zealous parent and learning tricks and manouvers in video games that led him to dominate on the real life rugby pitch.
  • One group wanted (and started outlining the chapters) of a Roblox user manual.
  • Quite a few of them agreed they’d like fiction books with colour pictures inside

I’d like to add a note to the above list – the students are not yet familiar with fan fiction, and I’m not sure they’ve looked into the Harry Potter wikis. In a sense that makes me happy that they’re still at that wonderful age where this type of magical immersive reading stuff is to be found in books rather than online. They are aware that there are user forums on these games and chat rooms etc. BUT THEY WANT TO READ ABOUT IT IN A BOOK. This is a GOOD thing. Whenever they ask for books about Minecraft and Roblox and video games and I tell them we have some of the storybook series, the Minecraft “how to” and “surely you can just ask online” they say “but we want a book”.  There are few Roblox books and they all seem to be eBook editions (publishing haste?). The Minecraft adventure books are not what they’re looking for – remember the colour pictures comment? They want more graphics! I think also as adults we see their online/offline selves as separate, whereas they don’t, and they want to see that new normal reflected in what they read. They’re all avid fantasy readers, and that I think is partially meeting their need for that online/offline fantasy/reality integration.

A caveat to all the comments (and a personal gripe) – above all children want a well written story. They don’t want to be preached to. They’re sophisticated and well- and globally read. And they can spot the fakes. As a teacher-librarian I get immensely frustrated by wanna-be and self-published authors who keep trying to foist their wares on me when it’s immediately apparent that they’re poorly written, even more badly illustrated, not edited and horribly and cheaply published. Writers need to read. They need to read a lot, they need to read widely. They need to research not just their topic but also who else has written about it, tangentially to it, similarly to it. If you want to self-publish, unless you’re a designer, pay someone to do your design for you. Unless you’re an author-illustrator find the best illustrator you can afford. And everyone, join a writing / critique group (like SCWBI) – honestly, other authors are not out to steal your ideas – they’re too busy working on their own passions. And when you think you’re done, get a good and critical editor. All authors need good editors, even great authors. Do yourself a favour and look at the interactive TS Eliot “The Wasteland” and see all the handwritten edits by Ezra Pound.

To come back to the forum and the original question that started all this:

“Creators can step into the shoes of a teacher for one hour and learn what makes a book a treasured find. From beautiful illustrations to didactic language, speakers discuss their views on relevant and useful books children need and love.”

What a huge question. Relevant is not always pedagogically useful. Useful for whom? Relevant to what?  I’d like to end with the most relevant and useful and just plain wonderful book I’ve encountered this year – Stormy seas: stories of young boat refugees. 

31213610 Well done Annick Press (that does a lot of amazing things – particularly in nonfiction) It has become the new gold standard to which I will hold all nonfiction. The elements that make it so special:

  • Great graphics – combination of good design elements with original primary source photos
  • Easy to navigate blocks of text
  • Personal stories
  • Historical facts
  • Timelines
  • Maps

It is not out yet (April 2017) and I got a preview copy through Netgalley (sign up if you’re a teacher / librarian), I showed it to a couple of classes from G3-G6 and all were clamouring for a copy afterwards – something unusual for nonfiction. And when I couldn’t give them I copy I managed to “sell” some of my otherwise untouched narrative nonfiction / historic fiction books on WW2 etc.

Another surprising (but not really because it’s so absolutely wonderful) hit has been Echo. It’s a huge book but every child and adult whose hand I’ve put 22749539it into  has just loved it – depite the fact that it takes a while to get through. Why – I suspect that the range and diversity of the characters and settings is satisfying to my international audience. But it is also great storytelling. And then they go on to read all the other Pam Muñoz Ryan books, which is also an excellent outcome.

 

What would you like to see more of that is “relevant and useful”?

A tale of two systems

I’ve just spent the last 4 days at the #LKSW2017 where 80 librarians around the SE Asian region got together to learn and share (mainly teacher) librarian practise. I also hosted a Chinese lady from a school in China and gave a daily ride to another Canadian librarian working at a school in China. We had some great conversations.

The first workshop I attended was led by Brad Tyrell. He of the magnificent Libguides at Scotch College that induce envy in every other libguide – even if you know that there is a slew of very techie people behind the gloss. During the workshop he kept emphasizing that everything that they’ve done is on a creative commons basis, and in fact shared all the documentation and templates used to make the guides.  He also explained that their staff’s job descriptions include an imperative to share what they’ve done – so everytime they’ve created a new library guide, they not only share it with staff and students internally, but they also have to post it on the listserv / social media of their local library association.

This is something I’m very comfortable with, and in fact have had many discussions with my lecturers at CSU about plagiarism and the sharing of academic output amongst students, where my (slightly controversial) view was that every academic assignment I’ve made is, and should be public, and that if students abuse it, or lecturers can’t be bothered to change the assignment, the system should take care of it… discussions documented here.  My libguides are also open, and I encourage people to take what they need from them and to adapt them to their own situation – and in turn, I get inspiration and links and resources from the other community guides. What do we all want? A little acknowledgement and for it to be on a “I share so you don’t just take, but also share”.

Then there is the in-between state, I’d call it the TpT state (teachers pay teachers), where you’ve made something that’s taken so much work, it’s done in your spare time and has cost you time and effort and is of a quality that you feel you can sell it. Personally I don’t do this, I’m more on the open source side of things, but I have bought items from other teachers where I like what they’ve done and don’t think I could do a better job.  For a rationale for this model, please read this.

And then the opposite extreme.  Chatting to my two compatriots working in China, I was surprised to hear that neither their catalogues, nor their library guides were open.  I was asking about sourcing Chinese books for our program in particular, and specifically nonfiction books for our UOIs. While they were helpful, and the actual answer is due to the predominance of text-books their is a less developed nonfiction publishing market at the primary level, none of their catalogs or resource lists were open. So unlike many other schools where I could take a look into their lists to find some good resources, this wouldn’t be possible. They explained that the Chinese private school market is very very competitive and this is all considered to be proprietary and competitive information.

Which of course leads to the question – are you being stupid or reducing your own competitiveness by sharing?  I’d like to think not and that everyone is better off as a result of this and opening things up allows them to be improved upon. Provided of course that the person doing the adaptation and improving is similarly civic minded and pays the sharing forward – which isn’t always the case.

But I was born here!

One of my favourite UOI (Units of inquiry) has started for my G3 students – in our library lesson last week I introduced the theme through reference to (a somewhat dated, but still very clear) video

Now one thing you can be certain about with students is that their responses will not be predictable. So too this time – what happened? They were cheering every-time their own flag appeared – irrespective whether it was to say that their nation was in the “top” for migration to or from – the subtlety of the relative positions totally escaped them.

At the point of the video where there is talk about how visa systems let people in or exclude them, I paused the video and mentioned the fact that actually all of them sitting there were migrants. Shocked silence for a few seconds followed by indignant cries of “but I’ve lived here all my life” or “but I was born here” or “my parents have lived here for 12 years”. I then asked how many of them were Singapore passport holders. In the 4 classes I had that afternoon, none. Yet they were all insistent on their rights not to be called migrants. I suspect they think of migrants as migrant workers in the sense of their helpers or construction workers.  When we got to the “push” and “pull” factors I said perhaps they should go home and ask their parents what were the push and pull reasons for being in Singapore.

How protected a life our students lead. A large number of leaving parents have come to me at the end of last year to have their library records cleared and signed off and told tales of the employment pass holder being made redundant and a home leave Christmas holiday being turned into a “packing up in a hurry and going home to an uncertain future” holiday. Those children leave and the ones left behind have no idea of the realities, are shielded from the realities.  I remember how few children could relate to Eve Buntings “Yard Sale” during the Global Read Aloud last year. They could only tell tales of moving to ever larger houses and getting more possessions rather than scaling down. The offspring of the 1%.

How much should our children know? How much should these sad, difficult and terrible things be made real and relevant to them instead of being images on screen or stories in books?  And if we make it more real, do we build empathy or fear?  I remember my daughter having weeks of nightmares after first learning about 9/11, combined with a trip to the coastal defense museum in HK and jets flying at the level of our apartment in HK. 5 year olds are not good with historical time perspective. Perhaps 8 year olds are not good with financial and living condition perspectives. Tough questions. Is this the right unit for Grade 3s?

You can find my research guide for the unit here, but I’d like to highlight some resources I find particular effective include:

Virtual reality

Clouds over Sidra

//player.with.in/embed/index.html?id=21

Interactive documentary

Refugee republic

Dynamic flow map

Also only until 2010, but a brilliant piece of interactive mapping of migrant flows too and from countries.

As educators we are expected to present information in a neutral fashion. I can only hope that some of our students are able to take what we present and link the past to the present and the future given the current changes in global politics – particularly with relation to human migration.

BWB where are we at?

After a flurry of research and completing my final paper for my M. Ed, one may think that it’s all over with the inquiry into reluctant readers, boys reading etc. etc.  But it’s not. Far from it in fact. I’ve been a little distracted with the library renovation, a series of unfortunate events with library assistants having close encounters with pregnancy and injuries leading to somewhat more of a day to day burden on my shoulders etc. etc (it’s called “life” I keep reminding myself). But anyway, we carry on unabated with our BWB club (Blokes with Books) and you can come and hear me at the AFCC if you’d like to find out more!

Tim, the teacher leading the club and I had some conversations at the end of last year about how we needed to take things up a notch and really go deeper into the whole reading thing. The question of course is how do you make sure it’s still fun, that they still are committed, while deepening and expanding what they’re reading? We’re talking about 11/12 year old boys after all, and while my dry academic papers sound all unemotional and cool the truth is far from it.  We have spats and have to have firm words about “it’s just a game” and “if you don’t quit fighting about the chairs / beanbags / who got the book first, you will have to stop coming for a while” etc. etc.

But something special has been happening in the two weeks since we’ve been back. Sometimes you just get so caught unawares that you’re not recording or documenting and now I feel I need to document it. Last week our counsellor (who’s joined our team) was sharing how he’d seen an interview with Jamie Oliver about the fact that he’d read his first book at age 38. The boys were actually incredulous. And then a couple started spontaneously sharing how before BWB club they’d never finished a book either, or if they did it was just a quick and easy book and how much more they’re reading now and how it takes practice and perseverance. Note – it also takes courage for a boy this age to come out and say these things to his peers.

This week we reflected on Obama’s reading list and how he’d said it helped calm and focus him in times of stress. And again, a couple of boys put their hands up and said how reading helped them calm down, when they were angry or upset.

So, whscreen-shot-2017-01-21-at-1-47-36-pmat’s new.  Right now I’m trying to drill into every student at school the necessity of having a “what’s next” list – either a mental list or a  physical list or a pile of books that are the “books in waiting”.  And the great thing about a club like this is that we can try things out on them and see how effective they are.

This week we used Leigh Collazo’s Genre Personality test which you can purchase from TPT (a $5 well spent). My assistants and I spend quite a bit of time this week updating the bookmarks in order to make the book suggestions specific to our library.  The boys did the quiz during the BWB session on Friday and they really enjoyed doing it. It was fun and light-hearted and we kept emphasizing that there was no right or wrong answer and it wasn’t scientific. After they’d tallied up I made a spreadsheet of the topscreen-shot-2017-01-21-at-1-48-01-pm 3 categories of each boy, and as we read out the descriptions there were cries of “yes, that’s exactly how I am” and “I agree” and “yes!”  With their permission we then displayed the results. Most were evenly spread between A, (questioner); B (Escapist) and C (Innovator) with surprisingly few G’s (class clown) which is what I would have expected. Since that took up most of the hour we have with them – we didn’t get around to sharing the bookmarks, and
only introduced the “on deck” spreadsheet to help them keep track of their “what’s next” list – that’s next week’s work.

 

Reduce, reuse, recycle and repurpose

One of the advantages of being on a tight budget with constraints, as I’ve written about before, is that it forces one into being thrifty and eco-conscious.  I just wanted to say a few words here about ways in which we managed to employ the 4R’s in our library renovation.

Library shelving is very very expensive. And there is a reason for this – it has to withstand a lot of wear and tear, be constantly shifted around and then

there is the question of load bearing (something our designers didn’t always take into account). Bottom line, we basically had to make do with most of the shelving we already had, and reuse it.  Not all of it was in great condition. So as part of the design brief we asked the contractor to refurbish the broken bits by re-lamination. Unfortunately this is not a very ‘sexy’ part of a renovation project, and we’re still chasing up on bits and pieces that need to be done! Most of it is looking pretty good though.

The green chairs were donated to us from our other campus, and the black shelving, and some other shelving that didn’t fit into the new design were donated by us to other classrooms and campus areas that needed it.

Other little things – our “fiction” etc. signs had a green border that looked out of place with the rebranding, so we just got some black electrical tape and taped over the green, so it looks black now. The non-glass doors got a new layer of paint, and larger glass pane windows.

The shelving above that used to hold picture books now is part of the junior section (I wanted more front facing space for our early chapter books to make them more enticing) so we inserted an extra shelf to each row to accommodate smaller books and the boxes in series.  One of our trolleys got donated to the IT department and the oldest saddest one got a new lick of paint in the same grey colour of our doors (part of the new branding) and looks just great now! The red plastic baskets found a new home in a classroom and was replaced by a wicker basket while we wait for the drop box to be completed. All our weeded books went to the PTA for their second-hand sale. And our old VCR boxes are still in use as alphabet markers in smaller collections – like Chinese fiction.

At the end of the day, besides the old tile carpeting in fact, very little ended up in the scrap heap. In fact many people when they come in have to ask what is actually new, because while everything looks new and different and lighter, they still recognise bits and pieces from the past.  I don’t think that’s a bad thing.

 

 

90% there …

Well we’re getting close to completion (all the yellow stickers are things the contractor needs to work on and the pink ones, things we need to do!) on our library project  (more links to the history here, here and here) and I’m feeling a little more relaxed. And even in the mood to discuss what has gone well (and what didn’t go so well / what I would have done differently will be the next post).

I’ve added 3 pano photos, from the front and back of the library and from our new “classroom” space.

img_4508
View from front
img_4509
View from back
img_4513
New Classroom

Let me start and devote this blog post with what I’m happy with – a comment from one of my Facebook groups prompted me to start with this, because I’m beginning to realise I’m way too much of a glass 1/2 empty kind of person, and if I have anything in the way of resolutions this year it is to be more positive! I’ll put some before / during and after shots in so you can see the difference!

I’m loving:

That I was fully part of the design process – in fact I was the designer and I only have myself (or maybe budget constraints or misinterpretations) to blame for what didn’t work out.  Plus my principal was immensely supportive all along the way, pretty much gave me free reign and was there when I needed her as a sounding board or to confirm a decision.

The wooden floors  

Oh I hated our old carpeting. Despite the fact that it was only about 2 years old it was pretty dirty and yucky – we get a lot of kids through the library each week and kids ain’t (and shouldn’t be) clean beasts. And because they were floor tiles, they could replace them, which meant colour differences, and that picky kid fingers could lift them up so they had to be re-glued regularly.

The extra display space

We librarians love to display and show case our collections. Whether it’s for a special event or to highlight new books, kindness week, a particular theme, whatever. I had no display space except for that which I’d artificially created by leaving shelves empty, and removing a computer from the dreaded pillar!  In the new configuration I’ve been able to convert the pillar to a wonderful wrap around display space.  I’ve also copied an idea from UWCSEA-East primary and added book ledges at the front door (they’re not perfect yet – too big and heavy on themselves but that’s another story).

 

Teaching spaces

I don’t have great pictures of before, or actually of after, so I’ll have to add these later. Basically my teaching space was a couch and a pulldown screen and a heavy very low flipboard I could drag out of my office when I needed to write anything, but couldn’t leave anywhere because there was no space for it!  Now there is not just one, but two teaching spaces as we knocked down the wall between the library and the staff room and the staff room was divided into a classroom and workroom.  Each has a projector with apple TV and each has a whiteboard space – the classroom a portable whiteboard and the main library will have two writeable glass sliding doors on either side of the projector screen on which to write. As a bonus, they’ve put blinds in front of all the windows that we can pull down so that the audience can also see what’s on the screen after 2pm!

Front Desk

I have very conscientious and neat staff, but open cupboards and a lack of space and no book drop meant that the front desk always looked messy even if it was actually pretty organised.  We went for a curved desk, for the show. I wasn’t 100% happy with that but it looks pretty good. I really like the design and the work surface (the top drawers are actually pull out work spaces) extra cupboard space and the fact that the cupboards have doors. I’ve very worried that the seating space is going to be very tight for three staff members, even if they’re all very petite. The compromise was I wanted the desk to be open on both sides because when (not if) there’s a “situation” on the library floor staff needs to be able to get to it very quickly.

White walls

Did I ever mention how much I hated the babypoop and maroon colour combination? Initially all I really really wanted was a paint-job and different seating furniture – but I got spoilt and got a whole new library!  Having white walls and light floor makes the whole space so much lighter – even though we’ve blocked off the windows on one side.

Collection flow

As the school has grown, so too had the collection. And choices I made last year on where to put what helped some parts of the collection (Fiction and Junior fiction) at a cost to others – nonfiction – where I split 000-399 and 400-999.  Now each part of my collection has it’s own section and I have an entire wall of nonfiction 000-999. It’s impressive even if I say so myself. And it’s “overzichtelijk” a wonderful word for which the English translation is apparently “clear” but what it really means is that you can take everything in in one glance.

There is also enough space on each shelf that books are not crammed together and we can put out front facing book(s) at the end.

I also ordered signage from Merchandising Libraries, both for A-Z for each fiction collection and with words and pictures for the nonfiction section and “shelf talkers” for various sections.

Another good thing is behind the teaching space / projector sliding doors we can now put in all the “kit” boxes – the multiple copies for literature circles and communal reading. Our school is in an old building so we don’t have grade pods or communal areas so all these books are stored in the library, and were stored in my office. I didn’t like this because it meant they were out of sight and mind of teachers and students and the door was a bit of a barrier (especially in the beginning when they didn’t know me) for them to come and browse the books. Now the office space can be used for sorting UOI books (so they won’t be on the floor in front of the main desk anymore), and the books will be easily accessed by everyone.

Teachers’ resources are also all together at adult height!

That’s all I have time for today. I’ll talk furniture and what could have gone better in the next post.

If we build it will they come?

In my past “homeless” week I’ve had opportunity to offer PD to my fellow librarians & library staff and to some teachers, and also to go into classrooms for a longer period of time and help with research, and I’ve had time to find, curate and put resources onto our libguides, and I’m hot-desking in the coordinator’s office. Its’ been a very informative time.

What I’ve learnt:

  • Never make assumptions about a basic level of digital literacy – just because you’re comfortable with screenshots, copying and pasting, using short-cuts etc. your audience may not be. Often they only know the very specific applications and programs (and operating systems) that they need for their specific tasks in their job.  You need to be very explicit and slow in explaining things.
  • Many many students do not know the difference between being in a browser window and typing in a URL (even a shortened one) and typing in a search term in a search box since the two have become ubiquitous to them – and Chrome as a Google product has played into that by allowing you to access either a search or an address from either. That’s something I never paused to think about, as a computer child of the 80’s they were very distinct things. This is philosophically interesting and I wonder if it impacts on understanding the nature of search and query?  I see a considerable amount of blurring generally – and if one thinks of aspects of information literacy in terms of threshold concepts I’m wondering if all these developments, while apparently making things easier are actually making them more difficult?

My biggest learning is that I have a poor understanding of how, where, why and when students and teachers access information. I’ve gone for a (at least) three times redundancy concept in providing access to anything –

  • in the OLP (Online Learning Platfrom – both on the homeroom page AND on the library page)
  • on the front page of our OPAC
  • on our Library Guides

In initial library lessons we’ve also had students (and teachers and parents – in our library bytes sessions) bookmark the 3 primary sites – the catalog, the library guides and then library OLP page. But the issues with information seem to be more deep-seated than that. I suspect that there is still confusion about not even knowing why you’d want to access anything – a kind of informational existential issue.

I’m guessing about 10-15% of the students in a class are making full use of the resources we’re providing.  Our school is probably not unique in this. I hear the same lament everywhere.  There is the saying of “meet your customer where they are” (not where you want them to be) and I think we neither really always know where they are – or we suspect they’re just on google, nor are we able to meet them there. AND OUR VENDORS ARE NOT HELPING US!  Let’s take our OPAC / Catalog as an example. Follett has finally woken up to the fact that google, and not our catalog or databases is the first place students look, so they’ve come up with a very nifty chrome extension that allows you to plug in your catalog (and webpath express) as the first search result – like below

screen-shot-2016-12-10-at-10-42-09-am

But, it only works with iOS on desktops / laptops. And we’re an iPad school (not an android / chromebook school). So it doesn’t work on iPads. So far so useless actually.

Oh, but there is a Destiny Discover App for iPads… except all it does is try to update every time you access it, and it gets to 31% and then crashes. And you can only set age / Lexile / grade level limiters to books, not databases or online resources, so it’s even more overwhelming than good ole google.

So at our last inter-campus librarian meeting we decided to try and encourage entry and access to our paid resources by making them options on our UOI guide resources page – so we’ve semi-standardised our boxes to have Books (with a link to the catalog via Librarythingsforlibraries book display widget), Videos (since Youtube is the 2nd only to google as the “go to” place for student research) and Resources (including Britannica, Brainpop, Epic Books and other curated links).

screen-shot-2016-12-10-at-10-51-56-am

The thought is, that they then don’t have to leave the page in order to go to a resource, they just click on the picture, and get to say Britannica, and once they’re there, the threshold is lower to then search for something from within there … we’ll see what the reality is.  I’ve also explicitly told them this in their last research lesson. Now to follow up and see if the usage stats change.

So what now? 

I think I need to move to a simpler and more intuitive layout – Following Katie Day’s layout for her research guide, perhaps making it student question related?

screen-shot-2016-12-10-at-11-08-41-am

At a whole different level is the services and guides that happen at Scotch College ….

screen-shot-2016-12-10-at-11-15-54-am

I think I need to sit down with teachers and students and really understand how they use information, how they look for it and where they expect to find it. Customer journey maps – something that I was thinking of as an alternative study avenue before I looked at our Blokes with Books club as my case study. Has anyone looked into that in the library context? I know people have looked at social media in library, but this is different – the physical and digital paths our patrons use to get information (or get frustrated by us). Any pointers?

 

Firmware (& Software)

Planning for a library expansion and renovation involves considerable time, thought and work on the “hardware” of the physical building. Including last week’s work of packing up the books and getting them put into storage. I’d blogged a little about how just prior to that we’d done a lot of weeding, and sorting out patron data on our system, as somehow the physical sorting out led to a drive for digital sort out and housekeeping.

I’ve been promising for a while that I’ll talk a little about the “digital” side of the library, but first I’d like to talk about what I’d refer to as “Firmware”

screen-shot-2016-12-04-at-9-58-00-am

A characteristic of most international schools is the transience of its students, and often teaching staff. Naturally this includes the library.  In my current position I’m aware of the fact that I’m just one in a long line of librarians who have come and gone. I’m also extremely grateful to our permanent library staff, who keep things ticking over as teacher librarians come and go, each trying to put their mark on the physical and teaching environment.  They have institutional knowledge. They know what has been tried and worked or failed, and a pretty good idea of why.  I admire their unrelenting politeness and helpfulness as they cope with the latest “new broom” .

When you speak to other librarians, inevitably the conversation will come around to the fact that they’d like their staff to take more initiative, or upgrade their skills beyond shelving and circulation and basic queries.  But that is harder to realise than one would think. There appears to be a reluctance that sometimes is hard to fathom.  Some librarians have taken great initiatives in this direction – like the KL librarians under Robert George with their JAWs (Job Alike Workshop), and more recently the similar sessions initiated by Barb Reid in Singapore.  The problem with any professional development at any level is that there needs to be a compelling reason to take the learning and put it into action as soon as possible. But invariably the day-to-day tasks take over and there just isn’t enough space between relentless shelving and picking books for the next (18) Units to get the practise …

However in the last month, we’ve had to challenge the “read-only” part of the definition to its limits, with one staff member on maternity leave and the other on hospitalisation leave, and as a result, that once in a blue moon occurrence – a “firmware update” has become the new norm. So suddenly business as usual hasn’t been usual, and everyone has had to do everything all the time, with a lot of compromise and cobbling things together as we go along.  We haven’t had the luxury of designated tasks and roles, and suddenly we are all cataloguers, and weeders, and resource list creators.

I’d set aside a week for packing up the library. But I’d not calculated on the energy and enthusiasm of my staff and the maintenance staff, and the help of our Grade 5 students who made a “book train” from the library upstairs, so by the end of Tuesday we were pretty much done (and not dusted – boy oh boy, did we discover dirt and dust…). So I declared Wednesday to be systems and PD day, kept back 3 tables and chairs and we sat down and I taught everyone how to use Libguides.   We probably only spent about two hours on learning the basics, and that’s really all that is needed, because with everything it’s not about the theory it’s about using it.   Then back to some more boring stuff, getting images onto books in the collection.

And then more important, but still a little bit tedious – especially if you’re using Follett – checking through resource lists and updating visual search for all the UOIs.   Oh gosh, I’m embarrassed to say how many links were old or incorrect.

Next up was making resource lists for all the books related to all the countries our students came from. For Uniting Nations day I had made a cursory start by grouping books into continents as it was a “quick and dirty” way of getting lists out there for our “read around the world” challenge.  Now I wanted to dig deeper, so I took the list of all the student nationalities and we divided it up and started searching and added. We quickly saw the countries that were under-represented, or not even represented at all – books from / about Bulgaria anyone?

I also spent the better part of a day sorting out and adding books related to Social and Emotional Learning  based on the handout of Dr. Myra Bacsal after her talk. It also entailed adding nearly US$2,000 worth of books to a “to purchase” list, as I realised that while we did have many of the books recommended, we were also lacking in a few – and particularly in more diverse and more recent books.

Our final day in the library, around rapidly diminishing furniture – including at one point our desks, was spent putting the libguide PD into practice, as the 3 of us sat with a list of all units, all guides made and guides to be made and started putting libguides together!

screen-shot-2016-12-04-at-10-36-11-am

The previous day while my staff was helping their colleagues at our other campus, I’d been sitting with the librarians, helping them extend their knowledge of libguides, and us brainstorming ways of presenting physical and digital resources in the guides in such a way that it was easy to navigate and would ensure that students could benefit from knowing what books we had and also how to access other QUALITY resources (i.e. not just google) that we were paying for but were perhaps not being well utilized.

We decided on

  • having the central idea at the top in a floating box
  • on the left – having a scrolling bookshelf of our unit books – using the Library Thing for Libraries book display unit. That way teachers and students could see all available books in a unit, even if they were distributed in a different classroom – and clicking on the link would take them to the book in the catalog – AND if they looked at the subject headings under Explore! would hopefully have a Webpath Express link to click on.
  • Putting some videos in the middle for our more visual / video liking students – also very handy for our ELL students with the paired speaking / images.
  • On the right having a tabbed box that could alternate between Brainpop (a staple in primary), Epic Books (easy to access and great free selection of nonfiction books for easy projection & assignment in class), Britannica (because Encyclopedia) and other links.

screen-shot-2016-12-04-at-10-40-52-am

screen-shot-2016-12-04-at-10-48-31-am

Of course nothing is simple – and even now as I look over the units, I see that some units have the UOI books around the central idea and inquiry in them and some have that plus what-ever literacy / math connection is being made (so more than half of the books are poetry for example). In the medium term all that needs to be straightened out and sorted out as well.

Also before you can add a scrolling list of books, you need a list of books … and to know how to get the books into Library things, and then into a book display widget – so I made a little screencast on how to do that!

The wonderful thing about all of this is the obvious enjoyment and pride that my staff got out of researching units and finding resources and adding them to a guide – they kept on saying “this is so interesting”, and “this is so creative”.  Of course it is not a “quick” thing, I’d say on average a very basic guide at primary level that is reasonably complete will take around 3 to 4 hours. And then one just has to hope that the units don’t change every year!

All in all, and incredibly productive week, and also my staff finally “gets” the fact that my drive for automating student update and photo import etc. etc. is not to put them out of a job, but to free them up to do more interesting and meaningful work.  After we talked about that, one staff member said “and now to automate the shelving!” amen to that!

 

The unmentionables

Reading “Small Things” and discussing it with colleagues and friends, combined with the Sinna Man video has set me off on a train of thought of what the “unmentionables” in children’s literature – or more specific, picture books are. Yes, some Europeans are doing some things, but it doesn’t yet seem to be in the mainstream BANA literature.

Is it merely a question of time? Certainly since I was a teenager, middle school and YA literature has taken leaps into sexuality, gender issues, rape, abuse, addiction etc. But what makes us think that there is this sudden flick of a switch in the teen years? Why do we think younger children are so innocent or naive or not ready?  Is it psychologically sound to deny them this glimpse into the expression of these forms of reality, or is it a form of misguided protection?

As a teacher librarian I see young children sitting masturbating while listening to stories. Teachers come to me and ask me about books about it, or at least ones that help children set boundaries, or stop it in public. Parents have varying views from horror and denial to acceptance and insistence on normality and ‘leave them be’.  I’ve tried googling it, but that may brand me as a paedophile on the look out for smutty images… what I want is the book form of the sex-ed my kids received in Grade 1, which was comparing your body to your home and explaining how you had levels of who  you let into various areas of your home (or in the front door at all), and so to it was with your body. Setting boundaries. Knowing what was public and private.  In thought word and deed.  Anyone know of anything?

Death and dying is sensitively dealt with an a couple of books – literally a handful, most recentl300961y in Ghosts (really for middle school but it’s very popular with my elementary age students from about 8 years old), childhood anxiety and depression? Not many that I’m aware of besides “Small things” and Michael Rosen’s Sad Book.

The books on learning difficulties like ADHD, Autism, Dyslexia etc. are often (badly) written and illustrated and self-published by interest groups or desperate parents, and it shows.  Step up to plate authors!

Similarly abuse. There are enough books for middle school and YA, but many children grow up in families where there is physical, verbal or emotional abuse. That becomes their normal and you see it in the way they behave to others out of the home. There is substance abuse and addiction. How about bullying? Have the picture books you’ve read ever really helped portray the agony with out a flippant resolution? The Invisible Boy is one of the lovely books in this respect. But often the protagonists have some hidden talent … what if they don’t? What if they really are fat or ugly, or dress funny, or poor, or can’t keep up in class?

Are these the unmentionables? What would you add? I know these are probably not going to be best sellers, run away hits. But they deserve the light of day. A good light of day by excellent authors and illustrators. Who children will read because they trust and believe in those people to be their voice and their eyes and ears.

MLA8 and Chinese …

A fellow librarian in Shanghai and I have been working on creating some new MLA8 posters in Chinese for her bilingual school / library.  It’s been an interesting process to put it mildly.

We started off with the MLA posters I created with Katie Day about 2 years ago, and which she updated recently to reflect the MLA8 changes. Now translation is as much an art as a science, and, with the help of a Chinese library assistant we made some rather silly mistakes along the way which in retrospect are obvious. Each round was accompanied by the refrain of my Chinese speaking daughter of “but they just don’t have that /do that in Chinese”

Round 1 – we just translated the English posters into Chinese – well duh, why on earth would you take an English book / video etc. and cite it in Chinese?

Round 2 – finding suitable Chinese originated materials in each basic format and creating citations for them. It may sound easy, but it’s actually harder than you’d think. I worked on the newspaper one with my daughter, and it took a whole evening! Then there was a great NatGeo chinese video, but it was way too complicated as it was a documentary with a director quoting from an interviewee – yes a nice challenge for advanced citations but not suitable for a beginner “basic” poster to get the main ideas across.

Round 3 – punctuation. I’m not entirely sure we’ve nailed this one completely. We ended up making an executive decision on making the in-text punctuation follow the Chinese punctuation – particularly for the full-stop / period “。” and the English punctuation in the “works cited” section. What we didn’t do, and my daughter insists we should have done, is to put the titles of the book in the chinese brackets instead of the inverted commas, i.e. 《。。。  》instead of “…”

Round 4 – italics. MLA8 asks for italics, and initially I spent a lot of time trying to italicise in IOS10, which an afternoon of searching will tell you is not possible.  Along the way I found out some truly fascinating things about Chinese fonts and typography, which you’re welcome to read up on – it really is very interesting. I learnt a new word – glyphs, and the fact that you need around 20,000 of them for a Chinese font! (I also coincidently found out how to add phonetic marks above characters in Pages – never know when you’ll need that!)

Two things cinched it, a comment on a CJK font forum (Chinese, Japanese Korean) ”

“I’m not solving your problem, but to remind you that this kind of “programmatic italic font” has really bad readability.
For CJK text, the right way to express emphasize (or quote) is to use another font (usually serif font). Especially for Simplified Chinese, use Songti, Fangsong, or Kaiti instead of italic font if your text font is Heiti (iOS default). I know it’s a little bit complicated, but this is really how we do italic.”

and secondly from the MLA itself (which is where I really should have started, but sometimes you go off on a tangent without really thinking properly).

Q: Do I italicize Cyrillic book titles in the list of works cited?

In the past, titles and terms in the Cyrillic alphabet were not italicized, partly because it is based on the Greek alphabet, which traditionally is not italicized (on this point, see Chicago Manual of Style, 16th ed., sec. 11.131). Letterspacing instead of italics was traditionally used to emphasize a word or phrase.

Today, Cyrillic cursive (the term italics is usually not used in this context) for titles and for emphasis seems to be used often in publications, including scholarly publications, perhaps because of progress in digital typesetting or because of a global trend toward standardization.

Note that there are many languages in the world that do not have an italic font—Japanese, Chinese, Korean, Armenian, for example. Arabic sometimes uses a typeface that slants to the left instead of to the right.

Given the complexity and specificity of historical, cultural, linguistic, and printing practices throughout the world, a writer should not use italics when a book title is in a foreign language that is not written in the Latin alphabet. If a work is being prepared for publication, let the author pass that buck to the publisher.

Round 5 – checking and checking actually we just finished this now – with adding the last missing closing bracket – and voila, the posters may see the light of day.

mla8-referencing-image-ib-version-chinese mla8-referencing-image-chinese mla8-referencing-article-journal-chinese mla8-referencing-video-chinese mla8-referencing-newspaper-chinese mla8-referencing-book-chinese mla8-referencing-website-chinese

And now, I nervously exhibit them for comment and criticism and correction by my peers! All posters are creative commons with attribution please. My next post will be what I refer to as “MLA8 Lite” – the posters I’ve made for my G6 PYP exhibition students. Just the works cited, without the in-text citation, with explanations in the form of the MLA8 Elements.