I’m currently living in Dubai, UAE, which is the latest in a long line of places I’ve been living in the last few years including China, Singapore, Hong Kong, Spain, Switzerland, Brazil, Netherlands, Italy, Luxembourg, and South Africa. I’m married with two adult children. Having lived around the world I’ve acquired quite a few languages and my big passion is bi/multi-lingualism and - culturalism, which I try to incorporate into my work, learning and essays wherever possible! I finished my MIS degree in December 2014 and my M Ed (Knowledge Networks and Digital Innovation) in October 2016. My murky past is in commerce and industry as a Chartered Accountant, doing a lot of random studying and learning and I’m currently working in an American School but have been a librarian PYP, MYP and IB in other international schools.
At the moment the Mystery genre is getting a lot of love from everyone from middle school to adult and a lot of great books are being released. Since we’re in a middle/high school library I wanted to showcase the mystery books that are not too spicy / intense. In our G8 core library we have “We were liars” and “The Naturals” which is probably at the upper level particularly in the later books in the series.
Along the lines of the work I did a couple of years back on Dystopian Fiction, I started to work on doing the same for sub-genres of Mystery. This time around I didn’t have some flowchart work others had already prepared to riff-off and I wanted to focus particularly on books suitable for middle school. I’ve relied on the excellent sub-genre descriptions of Mark Eleyat (who also has great pages on other genres and subgenres) and tried to make some kind of a flow to it. Somehow so many other things have intervened so it’s taken months to get to this point. I would love some feedback / suggestions for improvement on the flowchart.
And I’ve created these Middle School posters. The Canva Template is available for you to adapt to your situation – one day I hope to be able to expand it for YA and even adult, as I’m personally a big mystery/thriller. If you create anything based on this for YA or adult please feel free to share in a comment.
The following slides are part of a presentation Katie Day and I made for the 2025 ISLE librarian conference in London. (Note: Although I am the one “publishing” or “blogging” this discussion the credit equally goes to Katie Day as this all originates in our many discussions on reading, nonfiction, librarianship and more. )
The slides are pretty self-explanatory. The main idea being that we tend to lump nonfiction into one big pile, perhaps separated by the five types recognised by Melissa Stewart. In this part of the presentation we argued that nonfiction could be categorised along the dimensions of “reality” “time” and “emotion”. In doing so one can more easily appeal to students who are more used to the fictional genres and sub-genres and perhaps find some nonfiction appealing to their fictional reading preferences.
This is the typical way of looking at the continuum between fiction and nonfiction. Note we talk about nonfiction as being “informational” rather than “factual” and try to nudge students into thinking of it in the same way.
The next dimension we add to the equation is that of time. In this instance we are focused on the bottom line of the time dimensions of nonfiction.
We then further elaborate with the dimension of emotion. And this is where we allow our students to feel they are in the more familiar territories of “genre”
The next couple of slides give examples of the 6 “emotional tones” and related books.
Have fun exploring and discussing the categorisations with your students.
I’ve just finished reading the really well written “The Many Meanings of Meilan” by Andrea Wang. Having spent 16 of the last 20 years in Hong Kong, Singapore and China it was a reminder of so much of my time there and the discoveries of the language, literature, poetry and idiom.
There’s a lot happening in this book, but what I enjoyed most is the idea of naming and meaning and the ambiguity of sound and meaning in the homonyms of the Chinese language. I loved how she wrapped herself in the different meanings of “Lan” depending on the character, so as to adjust herself to the interpretations of herself of others around her, while discovering who she really was and claiming herself.
It also reminded me of the first time I came across the 塞翁失馬 (sai weng shi ma) chengyu – enjoy.
From November 2009
Today a story. Here is the famous story which is commonly interpreted as saying that “every cloud has a silver lining” This is the version from YellowBridge. Certainly in my own life in the long run this parable has proven to be true. But as impulsive as I am emotionally I don’t always recognise it at the time!
“A man who lived on the northern frontier of China was skilled in interpreting events. One day for no reason, his horse ran away to the nomads across the border. Everyone tried to console him, but his father said, “What makes you so sure this isn’t a blessing?” Some months later his horse returned, bringing a splendid nomad stallion. Everyone congratulated him, but his father said, “What makes you so sure this isn’t a disaster?” Their household was richer by a fine horse, which the son loved to ride. One day he fell and broke his hip. Everyone tried to console him, but his father said, “What makes you so sure this isn’t a blessing?”
A year later the nomads came in force across the border, and every able-bodied man took his bow and went into battle. The Chinese frontiersmen lost nine of every ten men. Only because the son was lame did father and son survive to take care of each other. Truly, blessing turns to disaster, and disaster to blessing: the changes have no end, nor can the mystery be fathomed.
塞翁失馬 (sai weng shi ma), the title of this story, is actually a commonly used Chinese idiom or chengyu . It literally translates as “Old Sai loses a horse”. Old Sai is the wise man in the fable. The expression is used to remind others to take life in stride because things aren’t really as good (or bad) as they seem. Certainly seems like a wise advice for a society that lives only for the present.”
I’m busy trying to decide what to do with very old blogposts as I was an avid blogger from 2003 to 2011 before I became a librarian. I literally have 1000s of posts that I’m not sure what to do with, so I’m going to selectively add posts that have to do with literature, language, librarianship, reading etc.
A DREAM OF MOUNTAINEERING At night, in my dream, I stoutly climbed a mountain, Going out alone with my staff of holly-wood. A thousand crags, a hundred hundred valleys– In my dream-journey none were unexplored And all the while my feet never grew tired And my step was as strong as in my young days. Can it be that when the mind travels backward The body also returns to its old state? And can it be, as between body and soul, That the body may languish, while the soul is still strong? Soul and body–both are vanities; Dreaming and waking–both alike unreal. In the day my feet are palsied and tottering; In the night my steps go striding over the hills. As day and night are divided in equal parts– Between the two, I get as much as I lose. Bai Juyi (772-846) Tr. Arthur Waley
As my daughter gets older our conversations are becoming more interesting. This evening we were discussing the interpretation and analysis of poetry. She’s been looking at Emily Bronte, Rossetti and Bai Juyi. The latter in translation. But they used the old Wade-Giles transliteration: Po Chü-i so initially she didn’t associate it as being Chinese, once she’d worked that out, of course she went to the original. And then our discussion was about how when you’re analysing something in translation and thinking of word choice, does one consider the choice of the translator or of the original. Naturally in an English class that is filled with English mono-linguals at Grade 7 level, the answer is yes, but how does that work out in a multi-lingual / cultural class where at least some of the students would be able to read the poem in the original? I was telling her how so many of the poets used homonyms to convey a hidden meaning in their poetry and prose, for example if they were criticising the emperor or local war lord or officials, and then one would have to know what stood for what. And in fact, if one reads the introduction and background here, it gives some very interesting context.
I’ve been meaning to write this for a while. A friend died in February. She was not just a neighbour but someone who had been a part of our lives ever since we started coming here. Being back for the summer means that her absence is a constant presence. We have been fortunate in our lives to not lose many people on a permanent basis along the way. Living abroad has meant the constant temporary loss of person and place, sometimes our selves. For my children the first big loss was that of our wonderful golden lab. After she passed we could not bear to be in the kitchen without involuntarily anticipating tripping over her as we cut vegetables and she was there particularly for the broccoli scraps. The habit of her presence only began to cease when we moved house and the substance of her being was not in the next place.
Similarly the process of empty nesting with first the one child, coincided with us moving country at the same time she did. So there wasn’t a her-shaped space in our new country, even as we created a guest room which wasn’t so much a guest room as a room for her when she could visit. Which covid quickly slashed the delusions of. With the next child to fly, a combination of yet another home and the continuation of covid, life was this weird limbo of presence and absence, being and not being. There was not so much specific as generalised absence and grief for everyone and everything that was familiar and real.
I wanted to combine this with some picture and middle grade books on death and dying and grief. Which of course means a few days delay while I research and search and put a poster together. Publishers have very homogenous and defined ideas of covers and what displays the essence of a book. Unfortunately for death this seems to converge on a blueish aqua. Culturally traditional colours such as black, grey or white are apparently not seen as right for the K-14 crowd.
“The Colour of Death” led me to this interesting graphic by David McCandless (see video below). Which makes me wonder where the dominant colour for the books come from.
Whatever colour death is, it is not anything in pastel hues. If anything it is the absence of colour, of everything. A vacuum. Which brings me to one of the best books on grief and the grieving process – which didn’t come up in my initial search with the keywords of “death” and “grief” – the extremely clever – visually and verbally – “Bug in a Vacuum” by Mélanie Watt.
I’m sitting on my balcony as the light and shade shifts after the rainstorms we’ve had in the last few days watching the clouds gather and separate and the shadows on the lake and in the lake. Where depth is darker and shallow is lighter. The depth of grief can never be lighter, and definitely not a light acqua.
Relationships are part of both mental and physical memory. And part of the grieving process is retraining my impulses to pop downstairs with some food, or to say hi or to see if she needs anything when I go down to do the groceries. To sit and hear memories of her life in Canada, the Congo and Australia and Switzerland. The unspoken lessons of growing older and less mobile and more removed from tactile life. With life experienced second and third hand through media and text. The lessons of the absence of choice in when to let go and the technicalities of a life lived and a life living well. The horror of the creep of the wish to die becoming stronger than the will to live.
And as we in turn age, these questions become less abstract and more real. When to cling on and when to let go, and who decides.
Given the dire state of the nation on reading overall for middle school with each grade reading less than in previous years, this is one small light at the end of the tunnel for me – showing that perhaps we need to narrow rather than continue to broaden our collection and focus on many copies of the most popular books?
Another amazing side effect has been the number of our faculty who are now fans of middle school / young adult literature and who have kept on coming back to finish series (I think it’s really important to have book 1 of as many enticing series as possible in the list). It really matters when not only the ELA teacher but also the PHE/Sports coaches and Drama and Science teachers are reading and recommending books.
Another interesting aspect has been that it seems we’ve arrived at a sort of tipping point of students accessing eBooks and AudioBooks in greater numbers than I’ve previously seen. Since we tend to only buy 3 or 4 of each of the core books (plus whatever ELA has a budget for to put in their class libraries) the most popular books tend to be out all the time, resulting in students then using the digital equivalent. I like AudioBooks as it means I can listen (often at 1.5-2x speed) and do my knitting, and I often have to persuade students that listening to audiobooks is also reading. In a culture where very few students are read to, I think it’s also important for them to hear stories – not the least to avoid embarrassing incidents with the pronunciation of words and names!
Of course I know that borrowing doesn’t always translate to reading (see the amazing way the great Nathan Pyle illustrates this below), but on the other hand I’m also comforted by the fact that our ELA classroom libraries have also stocked up on many of the core books and their circulations are not counted in my stats.
One of the runaway success books I’d like to highlight is “The Academy” by TZ Layton. In common I think with most 10-14 year olds, most of the young soccer players at our school are convinced it’s only a matter of time before they’re scouted into one of the youth leagues and this series feeds their dreams.
Actions & Activities
The actions and activities around the core books this year include:
Culling of the least popular (and some of the most popular*) books from the previous year
Book overviews on the middle school TV displays
Core list on Advisory Slides
“Core Wall” in library
ELA & MS teacher promotion
House points for book reviews
On libguide / recommended to parents during parent conferences
Weekly Kahoot quiz January – May (inter-house competition)
Battle of the Core live quiz assembly – 8 May (moved from January to increase exposure)
* while some of the books were taken out because they just didn’t fly for one reason or another (usually because I’d been misled by a good review without having been able to read the book first, or I misjudged the audience), some have been given wings and are flying on their own without the need to be on a list, or have been adopted by the ELA department as one of their book club books. Of course there is always great irony in choices. After not being able to successfully sell “The thing about jellyfish” by Ali Benjamin all year long, I took it off the list for next year and of COURSE then some young booktokker started recommending it and now everyone wants to read it!
Another side effect has been more faculty coming to me for recommendations for their own reading of for books for their younger kids or nieces / nephews – there is nothing more flattering, no greater gift you can give a librarian than ask for recommendations!
there is nothing more flattering, no greater gift you can give a librarian than ask for recommendations!
In conclusion I’d say if you’re in any doubt about the value of having a core collection, go ahead and try it out. It doesn’t have to be 25 books but it does help to have at least one representative of each genre. Including the first book in a series is always a good idea and I also try to have books that are fairly recent, include books from visiting authors if we have any and to try and tap into the zeitgeist.
We’ve been on summer break for just over a week now and I’m feeling sufficiently rested to sit down and write again.
Book returns
The end of the school year is always a busy time for librarians with the dual task of getting overdue books back and making sure that students have enough of the right books in their hands to entice them to do some reading over the summer. It really is a dichotomy – the students who most need to read more are the ones who have the hardest time keeping track of books – probably because they just borrow because they’re being told to do so and then promptly put the books somewhere never to be found again. And then of course when they become overdue it’s a fuss and bother and they are even less inclined to borrow.
Inventory
The big tasks include doing inventory – something we’ve turned more into a continual process so by the end of the year it’s more just following up on missing items – often they return – from students (or more often returned by nannies or parents) who consider going past the circulation desk as being optional. Unfortunately being in the middle east certain types of books also just disappear depending on the heat of current rhetoric – or in the case of this year actual bombing going on.
Core Collection
With our ELA (English Language Arts) department I’ve been very busy creating our new “Core Library Books” for the coming year (Grade 6; Grade 7; Grade 8)
And, continuing the tradition started last year, promoting them first with our middle school faculty. I’ll do a separate blog on the result of the core collection this year.
Summer reading
This also feeds into our Summer Reading Libguide which we try to promote as much as possible with students and parents. A few of the ELA classes had their students explore the guide and the various reading lists in detail and then make their own reading goals based on the lists and then email their parents with their reading plans and either borrow the books or request parents purchased them for the summer. I was also on hand with Sora Marketplace open to purchase the eBook or Audiobook for the students who wanted a digital copy. Our summer reading borrowing guideline is “as many books as you need and know you can take care of and return after the break“
Annual Report
The most arduous task at the end of the year, and one which it seems many international school librarians have more or less given up on, is creating the annual report. I can see why people stop doing this. With declining borrowing / reading it can be quite a depressing exercise. It’s also remarkably difficult to get good data our of our systems. Follett Destiny is a dreadful platform to get good data from – in contrast with other systems. I was reading Rutger Bregman’s “Moral Ambition” (see video below) around the same time, and came across the concept of vanity metrics – basically just putting together data that makes you look good. With that at the back of my mind, putting the report together (Annual Report 2024-25) became this exercise in trying to show both that the situation with reading is not great while trying to show that as librarians and teachers we’re doing our darnest to turn the tide and hopefully all is not lost. And even when we lose in reading perhaps we’re making inroads in research. Much as I hated studying business / accounting and was glad to escape being financial person it did put me in good stead for being able to work with data.
I’m planning on doing a bit more blogging this break, so keep coming back! Comment on any topics you’d like to see covered.
I’ve been meaning to do these posters forever (canva link) and not had the time. One of the things I like to have in our core collection is at least one picture book per grade. This week I’ve had all our G7 classes coming in to have a look at the books again as we move towards our Battle of the Core assembly and have our weekly quiz kahoots on the 75 books.
I was showing the group Mel Tregonning’s “Small Things” and one student latched onto it and was really interested in the concept of a wordless or silent picture book. He read it and then went on to this week’s display of wordless books and read a couple more.
Wordless or silent books are an amazing resource to have in your collection. You can read more about IBBY’s Silent Book project. They provide excellent prompts for creative writing, for quiet contemplation and for vocabulary and sentence structure development for language learners.
The posters are of a few in our collection but there are many more to explore.
A week ago I walked past a book with “library” in its title and thought – that’s what I need – some books about libraries and librarians, and so I came up with these that are in our collection. Enjoy and let me know what others should be added.
Of course I also always like a Tom Gauld – his “revenge of the librarians” is a go-to gift to give to special people in my library life …
International Mother Tongue Day is next week Friday, but my students and I will be embarking on their annual Week Without Walls trip so I’m a week early with this post – hopefully it will be of some use to those of you planning on celebrating it in the library. I will be upfront about my objection to it being called Mother Tongue Day – as it denies all the families where the language of other significant family members are spoken at home. I prefer the term “home language”. This year is the silver jubilee of the event. Despite all efforts, languages are becoming extinct at an ever increasing rate, and unfortunately this doesn’t attract quite as much attention as pictures of cute or not so cute animal. Schools and other educational institutions are complicit in this – something I’ve been banging on about for years, the lack of multiple-lingual home and heritage language education I still see as a failure of imagination rather than a failure of resources in this day and age. Ok, off my soap box and back to the practical.
These lists started with a casual conversation with KD as to what I had planned for the day, as my passion for language is well known. Which led to a discussion on which books one would consider and then, as usual things got a little out of hand and now I have 9 pages of posters of books that feature language. Language in all its glorious and inglorious forms. Learning language, struggling with a language, speaking or not speaking. Sign language. Heritage language. Language and thought, language and power or control. Selective mutism. Denial of language, erasure and extinction of language.
As for what to do – if I were here, these are the things I would do.
Have big sheets of paper our where the community could write down the languages they speak / read / write. The languages they’re learning. The languages of their fathers, mothers, grandparents.
I’d have them make a language family tree. Have a poster with a QR code that led to this quirky test on Language.
As usual here is the link to the template / books used. In return I’d love some comments on the books you recognise and the link to language! And any displays or activities you’re planning. And of course if you have suggestions of books I’ve missed I’d appreciate you adding them in a comment.
Informative Flights - Musings of a Teacher Librarian 