At the moment the Mystery genre is getting a lot of love from everyone from middle school to adult and a lot of great books are being released. Since we’re in a middle/high school library I wanted to showcase the mystery books that are not too spicy / intense. In our G8 core library we have “We were liars” and “The Naturals” which is probably at the upper level particularly in the later books in the series.
Along the lines of the work I did a couple of years back on Dystopian Fiction, I started to work on doing the same for sub-genres of Mystery. This time around I didn’t have some flowchart work others had already prepared to riff-off and I wanted to focus particularly on books suitable for middle school. I’ve relied on the excellent sub-genre descriptions of Mark Eleyat (who also has great pages on other genres and subgenres) and tried to make some kind of a flow to it. Somehow so many other things have intervened so it’s taken months to get to this point. I would love some feedback / suggestions for improvement on the flowchart.
And I’ve created these Middle School posters. The Canva Template is available for you to adapt to your situation – one day I hope to be able to expand it for YA and even adult, as I’m personally a big mystery/thriller. If you create anything based on this for YA or adult please feel free to share in a comment.
I’ve just finished reading the really well written “The Many Meanings of Meilan” by Andrea Wang. Having spent 16 of the last 20 years in Hong Kong, Singapore and China it was a reminder of so much of my time there and the discoveries of the language, literature, poetry and idiom.
There’s a lot happening in this book, but what I enjoyed most is the idea of naming and meaning and the ambiguity of sound and meaning in the homonyms of the Chinese language. I loved how she wrapped herself in the different meanings of “Lan” depending on the character, so as to adjust herself to the interpretations of herself of others around her, while discovering who she really was and claiming herself.
It also reminded me of the first time I came across the 塞翁失馬 (sai weng shi ma) chengyu – enjoy.
From November 2009
Today a story. Here is the famous story which is commonly interpreted as saying that “every cloud has a silver lining” This is the version from YellowBridge. Certainly in my own life in the long run this parable has proven to be true. But as impulsive as I am emotionally I don’t always recognise it at the time!
“A man who lived on the northern frontier of China was skilled in interpreting events. One day for no reason, his horse ran away to the nomads across the border. Everyone tried to console him, but his father said, “What makes you so sure this isn’t a blessing?” Some months later his horse returned, bringing a splendid nomad stallion. Everyone congratulated him, but his father said, “What makes you so sure this isn’t a disaster?” Their household was richer by a fine horse, which the son loved to ride. One day he fell and broke his hip. Everyone tried to console him, but his father said, “What makes you so sure this isn’t a blessing?”
A year later the nomads came in force across the border, and every able-bodied man took his bow and went into battle. The Chinese frontiersmen lost nine of every ten men. Only because the son was lame did father and son survive to take care of each other. Truly, blessing turns to disaster, and disaster to blessing: the changes have no end, nor can the mystery be fathomed.
塞翁失馬 (sai weng shi ma), the title of this story, is actually a commonly used Chinese idiom or chengyu . It literally translates as “Old Sai loses a horse”. Old Sai is the wise man in the fable. The expression is used to remind others to take life in stride because things aren’t really as good (or bad) as they seem. Certainly seems like a wise advice for a society that lives only for the present.”
I’ve been meaning to write this for a while. A friend died in February. She was not just a neighbour but someone who had been a part of our lives ever since we started coming here. Being back for the summer means that her absence is a constant presence. We have been fortunate in our lives to not lose many people on a permanent basis along the way. Living abroad has meant the constant temporary loss of person and place, sometimes our selves. For my children the first big loss was that of our wonderful golden lab. After she passed we could not bear to be in the kitchen without involuntarily anticipating tripping over her as we cut vegetables and she was there particularly for the broccoli scraps. The habit of her presence only began to cease when we moved house and the substance of her being was not in the next place.
Similarly the process of empty nesting with first the one child, coincided with us moving country at the same time she did. So there wasn’t a her-shaped space in our new country, even as we created a guest room which wasn’t so much a guest room as a room for her when she could visit. Which covid quickly slashed the delusions of. With the next child to fly, a combination of yet another home and the continuation of covid, life was this weird limbo of presence and absence, being and not being. There was not so much specific as generalised absence and grief for everyone and everything that was familiar and real.
I wanted to combine this with some picture and middle grade books on death and dying and grief. Which of course means a few days delay while I research and search and put a poster together. Publishers have very homogenous and defined ideas of covers and what displays the essence of a book. Unfortunately for death this seems to converge on a blueish aqua. Culturally traditional colours such as black, grey or white are apparently not seen as right for the K-14 crowd.
“The Colour of Death” led me to this interesting graphic by David McCandless (see video below). Which makes me wonder where the dominant colour for the books come from.
Whatever colour death is, it is not anything in pastel hues. If anything it is the absence of colour, of everything. A vacuum. Which brings me to one of the best books on grief and the grieving process – which didn’t come up in my initial search with the keywords of “death” and “grief” – the extremely clever – visually and verbally – “Bug in a Vacuum” by Mélanie Watt.
I’m sitting on my balcony as the light and shade shifts after the rainstorms we’ve had in the last few days watching the clouds gather and separate and the shadows on the lake and in the lake. Where depth is darker and shallow is lighter. The depth of grief can never be lighter, and definitely not a light acqua.
Relationships are part of both mental and physical memory. And part of the grieving process is retraining my impulses to pop downstairs with some food, or to say hi or to see if she needs anything when I go down to do the groceries. To sit and hear memories of her life in Canada, the Congo and Australia and Switzerland. The unspoken lessons of growing older and less mobile and more removed from tactile life. With life experienced second and third hand through media and text. The lessons of the absence of choice in when to let go and the technicalities of a life lived and a life living well. The horror of the creep of the wish to die becoming stronger than the will to live.
And as we in turn age, these questions become less abstract and more real. When to cling on and when to let go, and who decides.
Given the dire state of the nation on reading overall for middle school with each grade reading less than in previous years, this is one small light at the end of the tunnel for me – showing that perhaps we need to narrow rather than continue to broaden our collection and focus on many copies of the most popular books?
Another amazing side effect has been the number of our faculty who are now fans of middle school / young adult literature and who have kept on coming back to finish series (I think it’s really important to have book 1 of as many enticing series as possible in the list). It really matters when not only the ELA teacher but also the PHE/Sports coaches and Drama and Science teachers are reading and recommending books.
Another interesting aspect has been that it seems we’ve arrived at a sort of tipping point of students accessing eBooks and AudioBooks in greater numbers than I’ve previously seen. Since we tend to only buy 3 or 4 of each of the core books (plus whatever ELA has a budget for to put in their class libraries) the most popular books tend to be out all the time, resulting in students then using the digital equivalent. I like AudioBooks as it means I can listen (often at 1.5-2x speed) and do my knitting, and I often have to persuade students that listening to audiobooks is also reading. In a culture where very few students are read to, I think it’s also important for them to hear stories – not the least to avoid embarrassing incidents with the pronunciation of words and names!
Of course I know that borrowing doesn’t always translate to reading (see the amazing way the great Nathan Pyle illustrates this below), but on the other hand I’m also comforted by the fact that our ELA classroom libraries have also stocked up on many of the core books and their circulations are not counted in my stats.
One of the runaway success books I’d like to highlight is “The Academy” by TZ Layton. In common I think with most 10-14 year olds, most of the young soccer players at our school are convinced it’s only a matter of time before they’re scouted into one of the youth leagues and this series feeds their dreams.
Actions & Activities
The actions and activities around the core books this year include:
Culling of the least popular (and some of the most popular*) books from the previous year
Book overviews on the middle school TV displays
Core list on Advisory Slides
“Core Wall” in library
ELA & MS teacher promotion
House points for book reviews
On libguide / recommended to parents during parent conferences
Weekly Kahoot quiz January – May (inter-house competition)
Battle of the Core live quiz assembly – 8 May (moved from January to increase exposure)
* while some of the books were taken out because they just didn’t fly for one reason or another (usually because I’d been misled by a good review without having been able to read the book first, or I misjudged the audience), some have been given wings and are flying on their own without the need to be on a list, or have been adopted by the ELA department as one of their book club books. Of course there is always great irony in choices. After not being able to successfully sell “The thing about jellyfish” by Ali Benjamin all year long, I took it off the list for next year and of COURSE then some young booktokker started recommending it and now everyone wants to read it!
Another side effect has been more faculty coming to me for recommendations for their own reading of for books for their younger kids or nieces / nephews – there is nothing more flattering, no greater gift you can give a librarian than ask for recommendations!
there is nothing more flattering, no greater gift you can give a librarian than ask for recommendations!
In conclusion I’d say if you’re in any doubt about the value of having a core collection, go ahead and try it out. It doesn’t have to be 25 books but it does help to have at least one representative of each genre. Including the first book in a series is always a good idea and I also try to have books that are fairly recent, include books from visiting authors if we have any and to try and tap into the zeitgeist.
We’ve been on summer break for just over a week now and I’m feeling sufficiently rested to sit down and write again.
Book returns
The end of the school year is always a busy time for librarians with the dual task of getting overdue books back and making sure that students have enough of the right books in their hands to entice them to do some reading over the summer. It really is a dichotomy – the students who most need to read more are the ones who have the hardest time keeping track of books – probably because they just borrow because they’re being told to do so and then promptly put the books somewhere never to be found again. And then of course when they become overdue it’s a fuss and bother and they are even less inclined to borrow.
Inventory
The big tasks include doing inventory – something we’ve turned more into a continual process so by the end of the year it’s more just following up on missing items – often they return – from students (or more often returned by nannies or parents) who consider going past the circulation desk as being optional. Unfortunately being in the middle east certain types of books also just disappear depending on the heat of current rhetoric – or in the case of this year actual bombing going on.
Core Collection
With our ELA (English Language Arts) department I’ve been very busy creating our new “Core Library Books” for the coming year (Grade 6; Grade 7; Grade 8)
And, continuing the tradition started last year, promoting them first with our middle school faculty. I’ll do a separate blog on the result of the core collection this year.
Summer reading
This also feeds into our Summer Reading Libguide which we try to promote as much as possible with students and parents. A few of the ELA classes had their students explore the guide and the various reading lists in detail and then make their own reading goals based on the lists and then email their parents with their reading plans and either borrow the books or request parents purchased them for the summer. I was also on hand with Sora Marketplace open to purchase the eBook or Audiobook for the students who wanted a digital copy. Our summer reading borrowing guideline is “as many books as you need and know you can take care of and return after the break“
Annual Report
The most arduous task at the end of the year, and one which it seems many international school librarians have more or less given up on, is creating the annual report. I can see why people stop doing this. With declining borrowing / reading it can be quite a depressing exercise. It’s also remarkably difficult to get good data our of our systems. Follett Destiny is a dreadful platform to get good data from – in contrast with other systems. I was reading Rutger Bregman’s “Moral Ambition” (see video below) around the same time, and came across the concept of vanity metrics – basically just putting together data that makes you look good. With that at the back of my mind, putting the report together (Annual Report 2024-25) became this exercise in trying to show both that the situation with reading is not great while trying to show that as librarians and teachers we’re doing our darnest to turn the tide and hopefully all is not lost. And even when we lose in reading perhaps we’re making inroads in research. Much as I hated studying business / accounting and was glad to escape being financial person it did put me in good stead for being able to work with data.
I’m planning on doing a bit more blogging this break, so keep coming back! Comment on any topics you’d like to see covered.
I’m super late in sharing this presentation I gave the the L2L (Librarian to Librarian) workshop that I co-organised in Dubai in 2023.
Having worked in the Middle East for the first time, and with a predominantly muslim demographic meant I needed to get up to speed on what ensuring our collection mirrored our students would mean. Here are some suggestions – I’m no expert and have suggested links to people who are and whose guidance in this area was invaluable.
Here is the slideshow with some suggestions of books to add to a collection.
When my kids were very little, we lived in Spain, and since there wasn’t a local kindergarten, we’d drive about 30 minutes to the closest (Spanish) kindergarten and during that drive I’d have them listen to the wonderful Naxos collections. Besides learning about famous composers, great scientists and a bunch of other stories like Professor Branestawm who they could never get enough of, they also got a diet of Fairytales from Grimm, Andersen and Myths and Legends including Greek, Norse and Heroes and Heroines from Classic Tales. Neither of them remember much about living in Spain, and my daughter swears high and low she can’t speak a word of Spanish (despite 2 years immersion in it) but they remember the stories. And I still have the CDs. Perhaps as we continued to play them in the car on holidays and in Hong Kong and Singapore.
Today I’ve been making a poster of fractured fairytales in the fantasy genre. In a multi-cultural environment you can’t take for granted that students would have been exposed to some or even any of the tales that their educators grew up on, and I also did a bit of research on the types of (Western) fairytale collectors, editors and scribes and found this great little blog on some I was not aware of, or vaguely knew. When you look at the poster you can see the prolific Jacob & Wilhelm Grimm feature a lot (with over 200 tales and 10 children’s legends) as well as Hans Cristian Andersen’s 156 stories and Charles Perrault with his 8 Mother Goose tales punches above his weight in terms of retellings (thanks to Disney).
One of the most fantastic retellings ever of Little Red Riding Hood has to be the book “Picture this by Molly Bang” where she explains elements of Design using the tale. It’s one of the first books I buy in every library I work, if it’s not already on the shelves. Even if you ignore every other book in this post – that’s one to make sure you have in your collection!
As a parting note, as I was saying these are definitely a “western” view of fairy tales, when I was working at UWCSEA East with Katie Day and Maya Thiagarajan one of the amazing things they worked on was helping students recognise the “foundational texts” of their cultures. These are the texts that shape the culture and literature of that culture and that if you’ve not had the opportunity to access that text you may find it hard to read other works from that region because you’re not aware of the references, directly or indirectly. So for Western European culture it would be Aesop, Grimm and Anderson’s fairy tales, the Bible, Shakespeare, Austin etc. In India it would be the The Mahabharata, The Ramayana, in China it would be Romance of the Three Kingdoms and Journey to the West. Students were tasked with researching their cultural legacies and this is the libguide (thanks to webarchive) that was co-created with their IB literature class. But that’s a poster and discussion for another time.
Like most school libraries I have a bunch of students who really like fantasy. But that’s a bit like saying they like chocolate. Chocolate is a blanket term that can mean different things to different people and tastes they do vary. Like my poster series for Dystopian fiction – I’m embarking slowly on a number of side projects to demystify other genres in the library so students can find the sub-genre they like most. These things take an enormous amount of time and thought and originally I wanted to present a “fait accompli” in my blog but decided as it would mean I wouldn’t be posting anything for just about forever, to do it page by page.
So the path I’m taking is, as usual being guided by my students and what they’re reading and asking for – which is why I started with “Fantastical Beasts – Dragons” because that’s what someone wanted today. Once I have a bunch of posters I’ll try and find a way to link them in some kind of flowchart / decision tree.
I’ve distinguished between YA and Middle Grade, as things can get quite spicy in the fantasy / romantasy etc realm – (you’ll notice my list doesn’t include the Fourth Wing (The Empyrean, #1) by Rebecca Yarros – yet). Usually I indicate whether a book is part of a series in my posters – however one of the great things about fantasy is that nearly all books are part of a series (I’ve generally chosen either the first in the series for my image or the most dragony title). Books is a series is the library equivalent of “all you can eat buffet” as with a little bit of luck the minute they’ve had a taste of the first book they just keep going.
So far, based on my collection and student interest I’ve identified the following areas, romantasy, dystopian, high/low fantasy, magic realism, paranormal, fracture fairytales, mythology, alt. history, animals / fantastical beasts, schools of magic.
Our Grade 7 students do a dystopian unit in their English Language Arts (ELA) class, and I came across this nifty categorisation in a poster by Jeri Hurd (sans the sub-pages / images). Since I find our students are increasingly stimulated by imagery, rather than just text, I adapted the poster to include 7 sub-posters combining the books in our collection to the suggestions.
It’s not always easy to find middle grade appropriate science fiction, so this collection includes some YA works – particularly in the “Zombie apocalypse” section.
During a recent library visit after the students had completed their bookclubs with their chosen books, we had tables set out with the posters and the related books so they could further explore the various sub-sets of the genre.
If you are really interested in Utopian / dystopian literature and have quite a few hours to spare (like in the upcoming Spring break) I’d highly recommend Pamela Bedore’s “Great Utopian and Dystopian Works of Literature” from The Great Courses.
The cliche is totally true – a picture is worth a thousand words – but picture books with a few words – well they allow all the thoughts and emotions and sometimes the words to flow. Even in older students – perhaps especially in older students.
I’ve spent a lot of time and effort in curating and expanding our picture book collection in the middle/high school and I’m happy to say we now have over 500 books in that section. Today’s poster is picture books to make you think, and some of them still bring me to tears when I read them.
Informative Flights - Musings of a Teacher Librarian 